{"success":true,"query":"","pagination":{"total":10,"size":20,"from":0,"currentPage":1,"totalPages":1,"hasNext":false,"hasPrev":false,"nextPage":null,"prevPage":null},"results":[{"id":"entity:node/19811:en","url":"/art/exhibitions/samurai-imperial-court-japanese-metalwork","title":"Samurai to the Imperial Court: Japanese Metalwork","field_caption_text":"Samurai to the Imperial Court: Japanese Metalwork","field_start_date":1774785600,"field_end_date":1788696000,"featured_image":"https://files.dma.org/cms/production/s3fs-public/2026-02/Dragon%20King%20Presenting%20a%20Jewel%20to%20Fujiwara%20no%20Hidesato%2C%201879%E2%80%931881.%20Japan.jpg","featured_image_alt":"Dragon King Presenting a Jewel to Fujiwara no Hidesato, 1879–1881. Japan.jpg","location_name":"Chilton II Gallery","field_location_name":"Chilton II Gallery","processed":"Marvel at the artistry and beauty of Japan’s metalworking tradition across five centuries in Samurai to the Imperial Court: Japanese Metalwork. Through more than 90 works of art drawn from the DMA’s significant holdings and other leading collections, including The Ann & Gabriel Barbier-Mueller Museum: The Samurai Collection, Dallas, Samurai to the Imperial Court celebrates the technical mastery, innovative spirit, and aesthetic brilliance of Japanese metal artists. From samurai arms and armor to imperial court commissions, from luminous enameled vessels to sculptures of fantastical animals and figures, this exhibition showcases a dazzling array of objects shaped by centuries of imagination and craftsmanship. ","promote":true},{"id":"entity:node/19840:en","url":"/art/exhibitions/x-marks-spot-contemporary-screenprinting-brand-x-editions","title":"X Marks the Spot: Contemporary Screenprinting at Brand X Editions","field_caption_text":"X Marks the Spot: Contemporary Screenprinting at Brand X Editions","field_start_date":1779624000,"field_end_date":1794139200,"featured_image":"https://files.dma.org/cms/production/s3fs-public/2026-03/Nobody%20Puts%20Baby%20in%20the%20Corner%2C%202022.%20Deborah%20Kass.jpg","featured_image_alt":"Nobody Puts Baby in the Corner, 2022. Deborah Kass.jpg","location_name":"Hoffman Galleries","field_location_name":"Hoffman Galleries","processed":"Experience an avant-garde playground of vibrant, larger-than-life works featuring collaborations between the legendary screenprinting studio Brand X Editions and artists such as KAWS, Helen Frankenthaler, Rashid Johnson, and Deborah Kass with X Marks the Spot: Contemporary Screenprinting at Brand X Editions. This exhibition celebrates the more than 40-year legacy of Brand X Editions and the expressive possibilities of contemporary screenprinting. ","promote":true},{"id":"entity:node/15663:en","url":"/art/exhibitions/keir-collection-islamic-art-gallery","title":"The Keir Collection of Islamic Art Gallery","field_caption_text":"The Keir Collection of Islamic Art Gallery","field_start_date":1492516800,"field_end_date":1861876800,"featured_image":"https://files.dma.org/cms/production/images/exhibitions/slideshow_images/ewerk.1.2014.1.ab.jpg","featured_image_alt":"ewerk.1.2014.1.ab.jpg","location_name":"Focus I Gallery","field_location_name":"Focus I Gallery","processed":"Assembled over the course of five decades by the noted art collector Edmund de Unger (1918–2011), the Keir Collection is recognized by scholars as one of the world’s most geographically and historically comprehensive. Consisting of nearly 2,000 works, it spans from the Western Mediterranean to South Asia and across more than 13 centuries. It includes luxurious carpets and textiles; notable metalwork; rare works in rock crystal; lavish Qur’ans and illustrated manuscripts; and exceptional ceramics. The collection is considered an indispensable resource for scholarship in the field of Islamic art.  On long-term loan to the DMA, the Keir Collection supports the Museum’s emphasis on cultural exchange and is part of the DMX program, which is designed to foster international communication and collaboration. The 15-year loan of this expansive collection advances the DMA’s growing focus on new models for collection-building and cultural exchange and on transforming its Islamic art collection into the third largest of its kind in North America. ","promote":false},{"id":"entity:node/15705:en","url":"/art/exhibitions/not-visible-naked-eye-inside-senufo-helmet-mask","title":"Not Visible to the Naked Eye: Inside a Senufo Helmet Mask","field_caption_text":"Not Visible to the Naked Eye: Inside a Senufo Helmet Mask","field_start_date":1574510400,"field_end_date":1798372800,"featured_image":"https://files.dma.org/cms/production/images/exhibitions/slideshow_images/eringtothespectralctofthemask.png.png","featured_image_alt":"eringtothespectralctofthemask.png.png","location_name":"Conservation Gallery","field_location_name":"Conservation Gallery","processed":"The DMA’s Conservation and Arts of Africa departments, in an exciting and cutting-edge collaboration with UT Southwestern Medical Center, will present CT scans of a Senufo helmet mask from the Museum’s African art collection. This kind of mask is worn like a helmet by a medium at initiations, funerals, harvest celebrations and secret events conducted by the powerful male-only Komo society, which has traditionally maintained social and spiritual harmony in Senufo villages in Côte d’Ivoire, Mali, and Burkina Faso. Visible attachments on the mask include a female figure, cowrie shells, and imported glassware. The CT-scans reveal unexpected materials beneath the surface and objects contained in the attached animal horns that empower the mask.Dr. Matthew A. Lewis and Dr. Todd Soesbe, faculty members of the Department of Radiology at the Medical School of The University of Texas Southwestern Medical Center, assisted with this exhibition.","promote":false},{"id":"entity:node/19102:en","url":"/art/exhibitions/looking-forward-new-dma","title":"Looking Forward: A New DMA","field_caption_text":"Looking Forward: A New DMA","field_start_date":1699531200,"field_end_date":1785672000,"featured_image":"https://files.dma.org/cms/production/s3fs-public/2023-10/lookingforward_square_1080x1080.png","featured_image_alt":"Looking Forward: A New DMA","field_microsite_link":"https://lookingforward.dma.org/p/1","location_name":"Focus II Gallery","field_location_name":"Focus II Gallery","processed":"After nearly four decades, the DMA is redesigning its building and campus, designed by Edward Larrabee Barnes and opened in January 1984, to better serve the diverse city of Dallas. This presentation is an opportunity for the public to see how the Museum and Dallas have changed in recent decades, follow along with the transformation of our spaces, and join us in looking forward to a new DMA.   In February 2023, the Museum invited architect-led teams from around the world to reimagine a modernized, sustainable DMA. Their task was to give the campus greater physical visibility and transparency, show visitors what is going on inside, and make the DMA more welcoming and accessible to all. Following site visits, staff working groups, a public symposium, and a period of community feedback, the competition concluded in August 2023 with the selection of Nieto Sobejano Arquitectos (NSA).    The DMA and NSA are working closely to develop the initial proposal in consultation with stakeholders and the Dallas community. This presentation contains a selection of materials related to this exciting project and will be updated as the plans evolve.    For more information, visit lookingforward.dma.org. ","promote":false},{"id":"entity:node/19581:en","url":"/art/exhibitions/postwar-and-contemporary-art-galleries","title":"Postwar and Contemporary Art Galleries","field_caption_text":"Postwar and Contemporary Art Galleries","field_start_date":1749902400,"field_end_date":1907755200,"featured_image":"https://files.dma.org/cms/production/s3fs-public/2025-06/Cathedral%2C%201947.Jackson%20Pollock_0.jpg","featured_image_alt":"Cathedral, 1947.Jackson Pollock.jpg","location_name":"Barrel Vault","field_location_name":"Barrel Vault","processed":"You asked, and we listened—join us to experience fan favorites, from Pollock to Basquiat, as we bring them out of storage and into the spotlight, all included in your FREE general admission. Starting this spring, the Dallas Museum of Art is thrilled to unveil a dynamic new installation of cutting-edge 20th- and 21st-century art from the DMA’s collection. Located in the iconic Barrel Vault and Quadrant Galleries on the Museum’s first level, the installation will feature some of our most iconic and beloved works, spanning from around 1945 to today. Expect rotating pieces to be showcased quarterly, offering fresh perspectives from the esteemed DMA Contemporary team.","promote":false},{"id":"entity:node/19759:en","url":"/art/exhibitions/roy-lichtenstein-studio","title":"Roy Lichtenstein in the Studio","field_caption_text":"Roy Lichtenstein in the Studio","field_start_date":1768478400,"field_end_date":1783252800,"featured_image":"https://files.dma.org/cms/production/s3fs-public/2026-01/Two%20Paintings-%20Green%20Lamp%2C%201984.%20Roy%20Lichtenstein.jpg","featured_image_alt":"Two Paintings- Green Lamp, 1984. Roy Lichtenstein.jpg","location_name":"Stoffel Quadrant Gallery","field_location_name":"Stoffel Quadrant Gallery","processed":"Celebrating a remarkable joint gift from the Roy Lichtenstein Foundation to the Dallas Museum of Art and the Nasher Sculpture Center, Roy Lichtenstein in the Studio offers a glimpse into the preeminent Pop artist’s meticulous process. Composed of works from the joint gift, the DMA's collection, and a local collection, this showcase reveals the gestures behind Lichtenstein’s sleek, high-gloss style through an assortment of 17 works on paper, including preparatory studies he used to devise larger works, projects in collaboration with print workshops, and the artist’s Brushstroke works and iterations.This exhibition is co-presented with the Nasher Sculpture Center. ","promote":false},{"id":"entity:node/19810:en","url":"/art/exhibitions/rhythm-city","title":"Rhythm of the City","field_caption_text":"Rhythm of the City","field_start_date":1771070400,"field_end_date":1784462400,"featured_image":"https://files.dma.org/cms/production/s3fs-public/2026-02/Ebony%20Lewis%20and%20Bobby%20Miller%2C%20Rhythm%20of%20the%20City%20%28detail%29%2C%202026_OC.jpg","featured_image_alt":"Ebony Lewis and Bobby Miller, Rhythm of the City (detail), 2026_OC.jpg","location_name":"Concourse","field_location_name":"Concourse","processed":"Rhythm of the City transforms the DMA Concourse into an exploration of the beats and rhythms of Dallas, its people and neighborhoods, and the spaces between. The 150-foot-long mural is divided into six regional sections that reflect the city’s diverse cultural tempos, each vignette pulsing with layered texture, abstract form, and sound, transforming the wall into a visual composition of collective identity. Dallas-based artists Bobby Miller and Ebony Lewis use rhythm as a lens to translate the pace, energy, and nuance of community life. Through color, shape, and sonic cues, the mural invites viewers to not only see the city, but feel its heartbeat. The journey through the Museum becomes a meditation on place and presence, where stillness and motion coexist, and where the city’s story unfolds not only in sights and sounds, but in the silences that linger between them.About Bobby MillerDallas-based artist Bobby Miller describes his work as “controlled chaos,” layering textures, movement, and energy into artworks that feel alive. His compositions shift between spontaneity and precision, lending a feeling of instability, as though the piece might transform upon the viewer’s next look. Miller’s visual identity is distinguished by its tortuous rhythm and motion, which is reflected in his methodology of following principles of movement, balance, and fluid dynamics.About Ebony LewisEbony Lewis is a Texas-raised, Mississippi-born multidisciplinary artist with an emphasis in painting. Holding a BFA in Painting from Texas A&M Commerce University and an M.Ed., she merges her artistic practice with a commitment to education and community. Her work functions as a visual journal, navigating inner turmoil and the external perceptions imposed by the world.About Dr. An’Cheyl DavisDr. An’Cheyl Davis, a Louisiana native, is a music educator with over 27 years of experience. Dr. Davis has taught across Louisiana, Alabama, Georgia, and Texas, shaping generations of musicians through her dedication to pedagogy, creativity, and artistic excellence. Her practice is informed by this extensive educational background, blending scholarly insight with expressive clarity. Through both composition and instruction, Dr. Davis continues to educate future musicians with the intent to help them appreciate music and understand the role that music plays in their lives.Miller and Lewis collaborated with music educator Dr. Davis to create Dallas Soundscapes, a complementary composition that plays on loop throughout Rhythm of the City. Dallas Soundscapes is a collection of recorded environments from multiple neighborhoods across Dallas, Texas, presented alongside accompanying music. Download these listening notes to learn more.","promote":false},{"id":"entity:node/19758:en","url":"/art/exhibitions/paper-technologies-italian-prints-and-drawings","title":"Paper Technologies: Italian Prints and Drawings","field_caption_text":"Paper Technologies: Italian Prints and Drawings","field_start_date":1772020800,"field_end_date":1785672000,"featured_image":"https://files.dma.org/cms/production/s3fs-public/2026-01/Paper%20Technologies%20Featured%20Desktop%20540x380.png","featured_image_alt":"Paper Technologies Featured Desktop 540x380.png","location_name":"Level 2","field_location_name":"Level 2","processed":"Paper Technologies: Italian Prints and Drawings delves into the complex world of early modern Italian prints and drawings and their afterlife. The selection of works in this exhibition, made between 1500 and 1750, reflect the diversity of works on paper across artistic centers from Venice to Rome. Featuring The Banquet of the Rich Man, a rare drawing by Neapolitan artist Luca Giordano, this exhibition presents treasures from the DMA’s permanent collection alongside never-before-seen works from private collections.","promote":false},{"id":"entity:node/19761:en","url":"/art/exhibitions/paradise-earth-florals-indian-textiles","title":"Paradise on Earth: Florals in Indian Textiles","field_caption_text":"Paradise on Earth: Florals in Indian Textiles","field_start_date":1775649600,"field_end_date":1794744000,"featured_image":"https://files.dma.org/cms/production/s3fs-public/2026-01/Evening%20Dressing%20Gown%2C%20early%2021st%20century.%20Oscar%20De%20La%20Renta.jpg","featured_image_alt":"Evening Dressing Gown, early 21st century. Oscar De La Renta.jpg","location_name":"Level 3","field_location_name":"Level 3","processed":"Paradise on Earth: Florals in Indian Textiles invites visitors into a world where art, nature, and craftsmanship intertwine. For thousands of years, plants and flowers have inspired Indian textile and garment designs. This exhibition explores the enduring presence of floral and plant motifs in Indian textiles, showcasing a range of different textile materials, decorative techniques, and artistic influences across time and across the subcontinent through 13 works of art from the Mughal empire (1526–1827) to today. Paradise on Earth showcases densely embroidered coats and shawls, Mughal period carpets and paintings, and high-fashion garments by Oscar de la Renta and Alice + Olivia. Together, these works demonstrate how India’s 6,000-year textile tradition continues to inspire across time and cultures. ","promote":false}],"aggregations":{"location":[{"key":"Barrel Vault","count":1},{"key":"Chilton II Gallery","count":1},{"key":"Concourse","count":1},{"key":"Conservation Gallery","count":1},{"key":"Focus I Gallery","count":1},{"key":"Focus II Gallery","count":1},{"key":"Hoffman Galleries","count":1},{"key":"Level 2","count":1},{"key":"Level 3","count":1},{"key":"Stoffel Quadrant Gallery","count":1}]}}